Crayon Portraiture

• Crayon Portraiture Chapter 1
• Photographic Enlargements Chapter 2
• Crayon Materials Chapter 3
• The Specific Use Of Crayon Materials Chapter 4
• The Strainer Chapter 5
• Mounting Crayon Paper And Platinum And Silver Enlargements Chapter 6
• Mounting Bromide Enlargements Chapter 7
• Magic Lantern Outline Chapter 8
• Transfer Outline Chapter 9
• The Metroscope Chapter 10
• The Pantograph Chapter 11
• Four Methods Of Making The Background Chapter 12
• Free-hand Crayons And Those Made From Photographic Enlargements Chapter 13
• Filling In The Free-hand Crayon Chapter 14
• Line Effect Chapter 15
• Stipple Effect Chapter 16
• Backgrounds General Principles Chapter 17
• First Method Of Making The Background Stump Effect Chapter 18
• Third Method Of Making The Background Line Effect Chapter 19
• Fourth Method Of Making The Background Stipple Effect Chapter 20
• Face Line Effect Chapter 21
• Dress Line Effect Chapter 22
• Bromide Crayons Chapter 23
• Finishing Bromide Enlargements Chapter 24
• Monochromes Chapter 25
• Values Chapter 26
• Studio Chapter 27
• Framing Chapter 28
• Passepartout Mounting Chapter 29
• Transparent Liquid Water Colors For Coloring Photographs Chapter 30
• Theory Of Color Chapter 31
• Colors Chapter 32
• Yellow Chapter 33
• Blue Chapter 34
• Rose Chapter 35
• Violet Chapter 36
• Magenta Chapter 37
• Flesh Chapter 38
• Brown Chapter 39
• Black Chapter 40
• Gold Chapter 41
• Instructions For Using Liquid Water Colors Chapter 42
• Drapery Chapter 43
• Landscape Chapter 44
• The Principle Chapter 45
• French Crystals Chapter 46
• Conclusion Chapter 47
• Crayon Portraiture Chapter 48
• Photographic Enlargements Chapter 49
• Crayon Materials Chapter 50
• The Specific Use Of Crayon Materials Chapter 51
• The Strainer Chapter 52
• Mounting Crayon Paper And Platinum And Silver Enlargements Chapter 53
• Mounting Bromide Enlargements Chapter 54
• Outlines Negative Outline Chapter 55
• Magic Lantern Outline Chapter 56
• Transfer Outline Chapter 57
• The Metroscope Chapter 58
• The Pantograph Chapter 59
• Four Methods Of Making The Background Chapter 60
• Free-hand Crayons And Those Made From Photographic Enlargements Chapter 61
• Filling In The Free-hand Crayon Chapter 62
• Line Effect Chapter 63
• Stipple Effect Chapter 64
• Backgrounds General Principles Chapter 65
• First Method Of Making The Background Stump Effect Chapter 66
• Second Method Of Making The Background Chapter 67
• Third Method Of Making The Background Line Effect Chapter 68
• Fourth Method Of Making The Background - Stipple Effect Chapter 69
• Face - Line Effect Chapter 70
• Dress - Line Effect Chapter 71
• Bromide Crayons Chapter 72
• Finishing Bromide Enlargements Chapter 73
• Monochromes Chapter 74
• Values Chapter 75
• Studio Chapter 76
• Framing Chapter 77
• Passepartout Mounting Chapter 78
• Transparent Liquid Water Colors For Coloring Photographs Chapter 79
• Theory Of Color Chapter 80
• Colors Chapter 81
• Yellow Chapter 82
• Blue Chapter 83
• Rose Chapter 84
• Violet Chapter 85
• Magenta Chapter 86
• Flesh Chapter 87
• Brown Chapter 88
• Black Chapter 89
• Gold Chapter 90
• Instructions For Using Liquid Water Colors Chapter 91
• Drapery Chapter 92
• Landscape Chapter 93
• The Principle Chapter 94
• French Crystals Chapter 95
• Materials Chapter 96
• The Method Chapter 97
• Mounting French Crystals Chapter 98
• Finishing Photographs In India Ink Chapter 99

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